About the NZTAThe NZ Theatre Archive is a charitable trust promoting the preservation of theatre archives. It was established in 1997 by a group of theatre people concerned for the survival of theatre records and archives. Why do theatre records matter? Theatre has been entertaining New Zealanders by the thousands for over 160 years. New Zealand theatre reflects and even helps our society to think about itself. Consider the continuing power of The Pohutukawa Tree, Glide Time, Foreskin’s Lament, Wednesday to Come, and Waiora. Theatre has played an important part in our history and evolving culture. However, very few records remain from our thriving 19th century theatre industry except newspaper advertisements, some reviews, and a few programmes. For much of the 20th century the story is little better. But there are records -- reviews, photos, posters, programmes, newsletters, society minutes, company ledgers, costume sketches, prompt scripts, even audio and videotapes. Every theatre company, both professional and amateur, is constantly creating new records. These records matter to the New Zealand Theatre Archive. How does the NZTA preserve theatre archives? The New Zealand Theatre Archive doesn’t collect archives itself -- it has no building or staff to look after them -- but it provides links to national, regional and local libraries, and other institutions that provide professional care for theatre archive. The NZTA
In addition, the New Zealand Theatre Archive has:
What can you do?
The National Register of Archives and Manuscripts also lists many theatre archives. You can access the NZTA Database at:
How is the NZTA funded? The New Zealand Theatre Archive has received grants from the New Zealand Lottery Grants Board, the Trustees of the National Library of New Zealand, the Macklin Bequest, the Wellington Community Trust, and the Ministry of Culture and Heritage’s Oral History Awards. It receives ongoing support from Victoria University of Wellington, and many individuals and organisations have also donated money.
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