PhD project profiles

Read about our current PhD Creative Writing candidates and their projects.

Introduction

The International Institute of Modern Letters (IIML) launched New Zealand's first PhD creative writing programme in 2008.

The writers who have joined the programme are working on a wide range of topics, and their supervisors come from an equally wide range of academic departments. While primary supervisors are usually staff from the IIML, co/secondary supervisors have come from Schools as diverse as Architecture, Art History, Gender and Women's Studies, Linguistics and Applied Languages, Te Kawa a Māui / Māori Studies, Nursing, Midwifery and Health, the English and Theatre programmes of SEFTMS, and Va'aomanu Pasifika / Pacific Studies.

Regular group meetings provide a forum for PhD students (and their supervisors) to discuss their work in progress and take turns to present aspects of it in an informal and supportive atmosphere.

The descriptions below reflect the students' thinking at the time they contributed. However, we attempt to update these from time to time, to reflect the progress of each project.

You can read about previous students' projects on our PhD graduates page. You can also read about some of our MA graduates on our MA graduate showcase page.


Angela Andrews

Angela explored the intersection of poetry and medicine within the medical humanities: how the being, knowing and doing in poetry relates to medical practice.

Valerie Arvidson

Valerie is exploring picture and photo-embedded fiction through the analysis of three novels complemented by a collection of her linked short stories.

Lena Tichy

Lena is writing a historical novel about U.S. intelligence in Switzerland in 1945. Her critical thesis examines the queering of masculinity in fiction.

Nikki-Lee Birdsey

Nikki-Lee Birdsey is a poet currently researching the intersections of memoir, place, exile and hybrid genres in the work of W.G. Sebald and others.

Mikaela Nyman

I am writing a novel set in Vanuatu. My critical thesis explores women’s empowerment and creativity in Vanuatu and how women make their voices heard in public.

Peter Cox

Peter is writing a six-part tv drama series, while examining the relationship between television ‘writers rooms’ and individual authorship.

Alison McLachlan

Alison is examining the relationship between chaos theory and narrative complexity in television dramas, to inform the story and structure of her own TV series.

Amy Leigh Wicks

While my poems explore identity and place, my critical thesis will focus on J.K. Baxter and how to write with authenticity as a poet.

Allan Drew

Allan is writing a novel of John Milton’s life while completing Paradise Lost. His critical thesis investigates the effects of genre on characterisation.

Monica Macansantos

Monica is writing a novel about the nature of complicity in Marcos-era Philippines, and a critical study of the Martial Law Novel.

Kate Duignan

Kate's PhD is a novel narrated in first person, and a study of narration and ethics in Marilynne Robinson's Gilead novels, particularly Gilead itself.

Therese Lloyd

Therese’s PhD thesis is a collection of poetry about desire, absence, and the healing nature of time, connected to an investigation of Anne Carson’s ekphrasis.

Helen Heath

Helen is interested in how science poetry can make contributions to epistemic cognition, reflect social upheaval, and contribute to scientific paradigm shifts.

Helen Innes

Helen's sociolinguistic research into attitudes towards NZ English will inform the dialogue in her novel which is a black comedy featuring bird dialects & cows.